Harkening back to his earlier work of beat and rhythm-driven electronic music, Dibben creates a jittery, distorted, even wonderfully annoying experience across Wormwood.
Originally released on Submarine Broadcasting Company.
Mastered by James Edward Armstrong
Artwork by Chance Dibben
Released June 17, 2022
The album was composed entirely with the Koala Sampler from Elf Audio, using a variety of recorded sounds as the basic of its tracks. Samples used include a friend’s baby, knives banging in a sink, whistles, drum taps on a car hood, a shrieking cat, pipes, baby toys, and more. The result is glitchy, drunk, and wobbled tunes animated by a cartoonish logic with echoes of 80/90’s European synth pop.